We decided to set the scene of our piece in glinton behind the church, we found this to be a suitable area as it had quite a rural background which suited what we wanted for the scene. We specified that we needed a wooded area in which had a road of some sort leading up to it to allow the car to be a distinguishing point in the film. The setting was also required to be quite rural in order to make the genre more obvious to the audience. We also through editing applied a darker tint to the scenes in order to give the piece a more dark and gritty feel to once again apply to the audience.
Cast
For the main filming we were lucky enough to get Clive Lennon (perrys dad) involved in the film therefore the film looked more authentic and fit in with the gritty theme, this also helped with the verisimilitude as it allowed the piece to look more realistic. The use of an adult allowed the film to be authentic and fit in with the genre of a police/ british gangster drama. The other actor we used was Anthony Dinatale who was the police detective who was captured, we felt as if he fitted the detective role.
Filming
For filming we had to wait a while due to the lack of equipment (tripods and cameras) and also had to wait for our cast to be free, because of thius we had to rush the process of filming into a couple of hours ihn one day, it was good that we stuck to the same day as it meant that the weather would remain the same therefore retaining the continuity. We found when it came to editing that alot of the establishing shots were ineligible due to the camera shaking so much, this was because of the rushed approach to the filming. We found that alot of our film consisted of mid shots running, therefore we had to cut alot out and edit together pieces in which would show each individual camera angle clearly, but i will talk more about this in the editing section. We had to go back during school time to do some filming in order to get some more establishing shots due to the poor quality of the old ones.
Roles
Camera- Samuel jones (ME)
Editing - Perry Lennon
Props & costume - Lauren Matthews
Driver/ Antagonist - Clive lennon
Detective - Anthony Dinatale
The Boss - Jack Taylor
Storyline
The original storyline was created mainly by georgia mumby (because i actually love her) with help for the group, the idea we had of the film was that it was situated in a field surrounded by forest, and in the center of this was a car, however we could not find a location that fit this specifictation and therefore had to settle for a different setting, this was behind glinton near nine bridges. The film starts by showing a car windscreen and a mysterious character driving (Clive lennon) and cuts from shots of the location (establishing shots) to pictures of a random person in the boot (Anthony Dinitale) the start has a non diegetic sound running through which is quite an eerie/creepy sound. The piece then suddenly bursts into life as Anthony breaks out of the boot and runs into the rural setting, The camera uses alot of mid-shots to show the chase and also the occasional hand-held camera shot, The piece carrys on for about 40 seconds of running showing him covering all sorts of different obstacles. The music then changes to the original eerie music as Anthony picks up a wallet containing his identification for being a police detective and this creates a sub plot for the film as it makes the audience ask questions about the piece. The piece then carrys on to show the driver talking on the phone to a higher source seeming angry for letting the prisoner get away muttering the words 'He got away' and the boss on the other side of the phone asserting his power saying 'Find him!' this shows the audience who is in charge of the operation. The piece finishes with the music returning to its high tempo part and the audience see the car speed off into the distance.
Editing
For editing the majority of the work was done by perry as he had some experience in this field however the group did all come together when decisions needed to be made, for example when deciding what scenes to delete or what sound effects/ voice overs to put in. The technical part which was stitching the clips together and getting the timing of the gun noise was all down to perry who had a lot more free time in school therefore had plenty of time in which to do it all. The first half of the piece is put together with different buits unlike the second half where the majority of it is in chronological order. For the whole film perry put a dark filter on the piece in order to give it a more 'gritty feel' This also helped to deal with continuity as we filmed on two seperate days so the filter allowed the weather to look the same throughout.
Lighting
For lighting we filmed outside and therefore we used natural light. The problem with using natural light is that the day has to have the same weather as the other if we were filming on seperate days which was what we did. however because of editing we made the weather look the same throughout.